Technique[ edit ] Each object or character is sculpted from clay or other such similarly pliable material as plasticine , usually around a wire skeleton called an armature, and then arranged on the set, where it is photographed once before being slightly moved by hand to prepare it for the next shot, and so on until the animator has achieved the desired amount of film. Upon playback, the mind of the viewer perceives the series of slightly changing, rapidly succeeding images as motion. A consistent shooting environment is needed to maintain the illusion of continuity: Production[ edit ] Producing a stop-motion animation using clay is extremely laborious. With the standard practice of "doubles" or "twos" double-framing, exposing two frames for each shot 12 changes are usually made for one second of film movement.
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Traditional animation An example of traditional animation, a horse animated by rotoscoping from Eadweard Muybridge 's 19th-century photos Traditional animation also called cel animation or hand-drawn animation was the process used for most animated films of the 20th century. The animators' drawings are traced or photocopied onto transparent acetate sheets called cels ,  which are filled in with paints in assigned colors or tones on the side opposite the line drawings. Today, animators' drawings and the backgrounds are either scanned into or drawn directly into a computer system. Full animation[ edit ] Full animation refers to the process of producing high-quality traditionally animated films that regularly use detailed drawings and plausible movement,  having a smooth animation.
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